Fans  at Mansfield�s  Comcast  Center  knew what they were in for Saturday  during a double pecker featuring the rejuvenated Allman  Brothers  Band  and Grateful  Dead  ammonium alum Bob  Weir�s  Ratdog.  Attendees  were happily submerged in a ad valorem tax containing four-spot hours of jam and most of the near-capacity crowd left with ear-to-ear grins.
The  Allmans/Dead  history goes all the way back to a legendary 1973 collaboration on the Brothers�  �Mountain  Jam�  at New  York�s  Watkins  Glen  Speedway  (on a bill that also included the Band).  Time  has taken its toll on both acts of the Apostles, with Weir�s  Ratdog  moving to the forefront of his career following the 1995 death of Dead  guitarist and icon Jerry  Garcia,  and Allmans  keyboardist/singer Gregg  Allman  winning a recent turn with hepatitis C.  Back  on hitch, both proved true warriors of the road in separate two-hour sets.
The  headlining set from the Allman  Brothers  Band  was staggering for both its brawn and pace. Thirty-nine  years after original guitarists Duane  Allman  and Dickey  Betts  were throwing solos support and onward with the ease of a backyard softball chuck, current members Warren  Haynes  and Derek  Trucks  (nephew of founding drummer Butch  Trucks)  reignited the group�s Southern  rock legacy.
The  scuttle �Statesboro  Blues�  was a powerful showcase for Gregg  Allman�s  signature growl and meaty keyboard chops, only it was the appearance of Norwell�s  Susan  Tedeschi,  the bride of Derek  Trucks  and a serious guitar slinger in her own correct, that arrange an early precedent. Her  vocal duo with Haynes  on �Hurts  Me  Too�  was splendid and left listeners wondering what kind of kitchen conversations she and her husband must have with electrified instruments.
An  extended crosscurrent through the instrumental �In  Memory  of Elizabeth  Reed�  gave each Allman  member an chance to reflect and was particularly impressive considering that core drummers Butch  Trucks  and Jaimoe  were coupled by percussionist Marc  Quinones.  Things  could get dingy quickly with three manpower holding drumsticks, but each was skilled enough to support the others� flights of fancy.
For  his piece, Weir  seemed intent on invoking the spirit of �Dylan  and the Dead,�  a hot record from the Grateful  Dead�s  union with Bob  Dylan  that drew hard from a 1987 render they played together in Foxboro.  Weir  delivered enthusiastic takes on Dylan�s  �Maggie�s  Farm�  and �A  Hard  Rain�s  A-Gonna  Fall�  sandwiched around the Dead�s  lysergic landmark �Dark  Star.�
ALLMAN  BROTHERS  BAND,  with BOB  WEIR  & RATDOG  at Comcast  Center,  Mansfield,  Saturday.
    
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